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tiny love stories originated from one of the many discussions about the lack of representation of queer love. Society is making progress (though dubiously) towards increased queer representation, but too often protagonists are cis, white, and conventionally attractive. Moreover, mainstream queer stories often revolve around the traumas of coming out, murder, violence, and isolation experienced by queer folks. These are all important topics that inform and shape the queer experience, but they don’t define queer existence.

Have you ever wanted to hold a girl’s hand but wondered excessively if it would be creepy to even make direct eye contact with her? Do you not know how to initiate, continue, or even have conversation with a cute theydie without passing out? Do you fall in love with every person you see? Don’t worry. If you’re looking to have the steamiest and the hottest complete absence of any romantic interaction, look no further!

If you haven’t felt it already, Mercury Retrograde affects communication, short-distance travel, and daily commutes. Mercury moved into Aquarius – arguably the best fixed sign – which means that the retrograde now mostly affects fixed signs (Taurus, Leo, Scorpio, Aquarius). But you only have 1 more day of this retrograde. Just 1 more day of shit. Listen to us, and hopefully it won’t be as shitty.

Because homophobia and transphobia remain etched into the woodwork of society, it is no surprise that queer and trans people, especially those of color, are intimately familiar with trauma. Themes of trauma and mental illness have become running jokes within the LGBTQ community as our sexual and gender orientations often leave us vulnerable to stigma, rejection, discrimination, harassment, and more. Despite the prevalence of these issues, our bodies and stories are rarely represented in the media. This project shares the voices of queer and trans people who experience mental illness in hopes of both chipping away at the stigmas associated with our identities and providing physical representation of conditions normally deemed invisible.

It can feel like a breath of fresh air to step into an exhibition like Emboldened, Embodied, where every piece of art is made by a Bay Area woman of color. Upon walking in, Angela Hennesy’s installation, made mostly out of Black hair, including her own, stands regally and mysteriously before you. The surrounding art launches you into the dynamic, intergenerational conversation between QTPOC creatives.

In the distant future, space travel is easy, and androids and organic beings live side by side. KANO316 is an entertainer, performing for the wealthy elites and trying to get by under the Architects’ watchful eye. Su is a mechanic in the Chrome Shoppe, fixing machines and struggling androids alike outside the Hub. Each of them knows their place in the world, as cogs in the Architects’ machine. But what happens when the codes you live by break down? How do you move from that, and how much free will do you have when society is bent on stripping it from you? Follow KANO316 and Su as they navigate questions of identity, reclamation of power, nonnormative relationships, and more.

Alluvia Magazine is an up and coming publication and creative collective that centers environmental artists of color. Founded by Zahira Chaudry and Isaias Hernandez this past year, Alluvia has written on topics ranging from how instagramers are ruining public lands to why environmental artists of color should be paid for making their art. GIA MAG sat down for an intimate photoshoot and interview with co-founder Zahira Chaudry to discuss the intersection of art and environmental justice, white supremacy in how environmental movements, and why environmentalism is a queer movement.

Where We Belong is a multi-part project meant to center the narratives, experiences, healing, and empowerment of Black Trans Women in our communities. This first installment includes data on violences experienced by Black trans folks and coverage of BlackQT’s event, Black Trans Lives Matter. In a world where Black trans women experience so much erasure and violence, a seat at the table is only the beginning.